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Chinese Art Bibliography
Wei Yang
Chinese Art Bibliographer
Works on Painting

Based on the websites: http://www.sscnet.ucla.edu/history/elman/ClassBib/10hist.html; http://www.Chinathebeautiful.com

Ames, Roger T. The Art of Rulership: A Study in Ancient Chinese Political Thought. Honolulu: University of Hawaii Press, 1983. (BL1900.H825 A43, F)

Barnhart, Richard M. and Wen Fong, etc. Mandate of Heaven: Emperors and Artists in China: Chinese Painting and Calligraphy from the Metropolitan Museum of Art. Zurich: Museum Rietberg Zurich, 1996.

________. Li Kung-lin's Classic of Filial Piety. New York: Metropolitan Museum of Art, 1993. (ND1457.C56.L5325 1993q, SA)

________. Art of Mu Xin: Landscape Paintings and Prison Notes. New Haven: Yale University Press, 2001. (ND1049. X85 M867 2001q, Gest/SA)

________. Along the Border of Heaven: Sung and Yuan Paitings from C.C.Wang Collection. New York: Metropolitan Museum of Art, 1983. (ND1043.B37q, SA)

________. Crosscurrents: Masterpieces of East Asian and From New York Private Collectors. New York: Harry N. Abrams, 1999. (N7336.C36 1999q, SA)

________. Marriage of the Lord of the River: A Lost Landscape by Tung Yuan. Ascona: Artibus Asae Publishers, 1970. (ND1049. T84 B3, SA)

________. Wintry Forests, Old Trees: Some Landscape Themes in Chinese Painting. New York: China Institute in America, 1972. (ND1366. 7. B37, SA)

Bates, Roy. Chinese Dragons: Images of Asia. New York: Oxford University Press, 2002. (In process, SA)

Beijing wenwu jingcuidaxi: huihua juan 北京文物精粹大係:繪畫卷. Beijing: Beijing chubanshe, 2002. (Ordered, SA)

Bickford, Maggie. Ink Plum: The Making of A Chinese Scholar-Painting Genre. Cambridge University Press, 1996.

________. Bones of Jade, Soul of Ice: the Flowing Plum in Chinese Art. New Haven: Yu Art Gallery, 1985. (N7336.C36 1999q SA)

________. Chinese Paintings (16th-20th Century). London: Barling of Mount Street Ltd. 1978. (N7680. B52, SA)

Bower, Virgina L. and Robert D. Mowry. From Court to Caravan: Chinese Tomb Sculptures from the Collection of Anthony M. Solomon. New Heaven: Yale University Press, 2002. (NB1256.B68 2002q, SA)

Bunker, Emma C. Adonmeny for the Body and Soul: Ancient Chinese Ornaments from the Mengdiexuan Collection. Hong Kong: The University Museum and Art Gallery, the University of Hong Kong, 1999. (GT1555. B97 1999q, SA)

________. Adronment for Eternity: Status and Rank in Chinese Ornament. Denver: Denver Art Museum, 1994. (GT1555. W49 1994q, Annex)

Bush, Susan. The Chinese Literati on Painting: Su Shih (1037-1101) to Tung Ch'i-ch'ang (1555-1636). Cambridge: Harvard University Press, 1971. (ND1042.B88, Gest/SA)

________. Early Chinese Texts on Painting.Cambridge: Harvard University Press, 1985. (ND1043. E15, SA)

________. The Views of Northern Song Literati. (article) (X EAS 416/BUS, Gest)

Byron, John. Portrait of A Chinese Paradise: Erotic and Sexual Customs of the Late Ming Period. London: Quartet Books, 1987. (N8217. E6 B97, SA)

Cahill, James. Chinese Painting. N.Y.: Rizzoli, 1977.

________. Artists and Patron: Some Social and Economic Aspects of Chinese Paintings. Lawrence: University of Kansas, 1989. (ND1043.4.A7 1989)

________. The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting. Cambridge: Harvard University Press, 1982.(ND1044.C3q, Gest/SA)

________. The Confucian Persuasion. Stanford: Stanford University Press, 1960. (60282.984, F)

________. Fantastics and Eccentrics in Chinese Painting. N.Y.: Arno Press, 1976. (ND1040.C13, SA)

_________. Hills Beyond a River: Chinese Painting of the Yuan Dynasty, 1279-1368. Weatherhill, 1976. (ND1043.C3312q, Gest)

________. The Painter's Practice: How Artists Lived and Worked in Traditional China. New York: Columbia University Press, 1994. (ND1043.5.C35.1994, Gest/SA)

_________. The Painting of Tao-chi 1641- Ca. 1720. Ann Arbor: University of Michigan Museum of Art, 1967.

________. Parting At the Shore: Chinese Painting of the Early and Middle Ming Dynasty, 1368-1580. N.Y.: Weatherhill, 1978. (ND1043.C1229, SA)

________. New Dimensions in Chinese Ink Painting. Middleburg: Middleburg Gollege, 1991. (ND2068.C33 1991, SA)

________. The Distant Mountains: Chinese Paintings of the Late Ming Dynasty, 1570-1644. New York: Weatherhill, 1982. (ND1043.C331q, SA)

________, ed. The Restless Landscape: Chinese Painting of the Late Ming Period. Berkeley: University of California Press, 1971. (ND1043.R47, SA)

Cahill, James and Claudia Brown. Trancending Turmoil: Painting at the Close of Chinese Empire, 1796-1911. Phoenix: Phoenix Art Museum, 1992. (ND1043.5.B76 1992, SA)

Chen Shouxiang. Sui Tang huihua shi 隋唐繪畫史. Beijing: renmei, 2002. (Ordered, SA)

Chou, Ju-hsi and Claudia Brown. The Elegant Brush: Chinese Painting Under the Qianlong Emperor. Phoenix: Phoenix Art Museum, 1985. (ND1043. C485q, SA)

________. Chinese Painting under the Qianlong Emperor: the Symposium Papers (2 vols.). Tempe, Az: School of Art, College of Fine Arts, Arizona State University, 1988.

Chung, Anita and Shan Guolin. Chinese Paintings from the Shanghai Museum. Natl Museum of Scotland, 2002. (Ordered, SA)

Deng Diaobing. Zhongguo huihua sixiangshi 中國繪畫思想史. Guizhou: renmin, 2001.

Du Zhesheng. Yuandai huihua shi 元代繪畫史. Beijing: renmin meishu, 2002. (Ordered, SA)

20 shiji zhongguo wenwu kaogu faxian yu yanjiu congshu 世紀中國文物考古發現與研究叢書 (28 vols). Beijing: wenwu, 2002. (Ordered, SA)

Edwards, Richard, et al. The Art of Wen Cheng-ming (1470-1559). Ann Arbor: University of Michigan Museum of Art, 1976.

Fong, Wen. Returning Home: Tao-chi's Album of Landscapes and Flowers. New York: George Braziller, 1976. (ND1049.C47 F65 SA)

_______ and Robert A. Rorex. Eighteen Songs of A Nomad Flute: the Story of Lady Wen-chi. New York: Metropolitan Museum of Art, 1974. (ND3399.L55 E37, SA)

________. Images of the Mind: Selections from the Edward L. Elliott Family and John B. Elliott Collections of Chinese Calligraphy and Painting at the Art Museum, Princeton University. Princeton: Princeton University Press, 1984. (ND1040. I42q, SA/Gest)

________ and Alfreda Murch. Words and Images: Chinese Poetry, Calligraphy, and Painting. New York: Metropolitan Museum of Art, 1991. (NK3634. A2 W67 1991q, SA)

________. Between Two Cultures: Late-nineteenth and Twentieth-century Chinese Paintings from the Robert H. Ellsworth Collection in the Metropolitan Museum of Art. New York: Metropolitan Museum of Art; New Haven: Yale University Press, 2001. (ND1045. F66 2001q, SA)

________and James C. Y. Watt, etc. Possessing the Past: Treasures form the National Palace Museum, Taipei. New York: Metropolitan Museum of Art, 1996. (N3750. T32 A87 1996q, SA)

________. Beyond Representation: Chinese Painting and Calligraphy, 8th – 14th Century. New York: Metropolitan Museum of Art; New Haven: Yale University Press, 1992. (ND1043.3.F66 1992q, SA)

________. The Lohans and a Bridge to Heaven. Washington: Smithsonian Institution Publication, 1958. (NK1043.F6, SA)

_________. Summer Mountains: the Timeless Landscape. New York: Metropolitan Museum of Art, 1975. (ND1043. F6q, SA)

Fu, Marilyn and Shen Fu. Studies in Connoisseurship: Chinese Paintings from the Arthur M. Sackle Collection. Princeton: Princeton University Press, 1973. (ND1043.F8q, Gest/SA)

________. The Wilderness Colors of Tao-chi. New York: Metropolitan Museum of Art, 1973. (ND1049. C47 F88q, SA)

Gao Chunming. Shanghai yishushi 上海藝術史 (2 vols). Shanghai: Shanghai renmei, 2002. (In process, SA)

Geng Baochang. Gugong bowuyuan cang Ming chu Qing huace 故宮博物院藏明初清畫冊(2 vols). Beijing: Zijingcheng, 2002. (In process, SA)

Gugong suocang nuxing huajia zuopin 故宮所藏女性畫家作品. Beijing: Zijingcheng, 2002. (Ordered, SA)

Guifan tushuo 閨范圖說 (4 vols). Beijing: Hueyuan, 1998. (In process, SA)

Guojia wenwuju. 2001 nian zhongguo zhongyao kaogu faxian 2001 年中國重要考古發現. Beijing: wenwu, 2002. (In process, SA)

Guo Qing and Liao Dong. Zhongguo lidai renwu xiangzhuan 中國歷代人物像傳. Jinan: Qilu shushe, 2002. (In process, SA)

Guo Xiaolu. Dianying lilun biji 電影理論筆記. Guilin: Guangxi shida, 2002. (In process, SA)

Han Xiaomang & Sun Changsheng. Xixia meishushi 西夏美術史. Beijing: Wenwu, 2002. (In process, SA)

Hasibate. Menggu zu chuantong wenhua tujian 蒙古族傳統文化圖鑑. Huhehaote: Neimeng, 2002. (Ordered, SA)

Harrist, Robert Jr.Painting and Private Life in Eleventh-Century China: Mountain Villa by Li Gonglin. Princeton University Press, 1998. (ND1049.L62 H377 1998, Annex/SA)

________. The Embodied Image: Chinese Calligraphy from the John B. Elliott Collection. Princeton: The Art Museum, Princeton University Press, 1999. (ND1040. E64 1999q, SA)

Hearn, Maxwell K. Along the Riverbank: Chinese Paintings from the C.C. Wang Family Collection. New York: Metropolitan Museum of Art, 1999. (ND1043.3.H43 1999q, SA)

________. The Arts of Ancient China. New York: Metropolitan Musem of Art, 1974.

________. Arts of the Sung and Yuan: Papers Prepared for an International Syumposium Organized by the Metropolitan Musejm of Art in Conjunction with the Exhibition Splendors of Imperial China: Treasures form the National Palace Museum, Taipei. New York: Metropolitan Museum of Art, 1996. (N7343.4.A78 1996, SA/Gest)

________and Judith G. Smith. Chinese Art: Modern Expressions. New York: Metropolitan Museum of Art, 2001. (ND2068.C4847 2001, SA)

________. Cultivated Landscapes: Chinese Paintings from the Collection of Marie-Hélè ne and Guy Weil. New York: Metropolitan Museum of Art; New Haven: Yale University Press, 2002. (ND1366.&.H43 2002q, SA)

He Zhiming. Tang Wudai hualun 唐五代畫論. Changsha: Hunan meishu, 1997. (In process, SA)

Hebei sheng bowuguan 河北省博物館. Hebei: gudai muzang bihua 河北:古代墓葬壁畫. Beijing: Wenwu, 2001. (In process, SA)

Hebei sheng wenwu yanjiusuo 河北省文物研究所. Xuanhua liaomu bihua 宣化遼墓壁畫. Beijing: Wenwu, 2001. (In process, SA)

Henan kaogu yanjiusuo. Qifeng zhongyuan wenming: 20 shiji Henan kaogu dafaxian 祁峰中原文明:20 世紀河南考古大發現. Zhengzhou: Henan renmin, 2002. (Ordered, SA)

He Xilin. Gumu danqing: Handai mushi bihua de faxian yu yanjiu 古墓丹青:漢代墓室壁畫的發現與研究. Beijing: Wenwu, 2002. (Ordered, SA)

He Ruyu. Yuan Jiang he Yuan Yao 袁江和袁耀. Taibei: Art Book Co., 1984. (In process, SA)

Ho, Wai-kam. Worlds of Wonder. Kamakura, Japan: Kaikodo, 2001.

________, et al. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 1980.(ND1040.E54q, SA)

________. Beyond Brush and Ink: Some Sylistic and Iconographic Aspects of Chinese Painting. Lawrence: University of Kansas, 1994.

________ et al. The Century of Tung Ch'i-ch'ang 1555-1636. 2 vols. Seattle: University of Washington Press, 1992. (ND1049. T83 1992q, SA)

Hong Kong University Museum and Art Gallery, and Shanghai Museum. Huarong shimao: Shanghai bowuguan cang Ming Qing renwuhua. Hong Kong: University of Hong Kong, 2001. (In process, SA)

Hong Kong Museum of Art. Huaxia wenming zhiyuan: Henansheng wenwu jinghua zhan 華夏文明之源:河南省文物精華展. Hong Kong: Hong Kong Museum of Art, 2002. (In process, SA)

Hu Jianbin. Zhongguo minghua zhimi 中國名畫之謎(set). Beijing: Hongqin chubanshe, 2002. (In process, SA)

Hu Xiaojun. Zhongguo gudai chaju 中國古代茶具. Shanghai: Shanghai wenhua, 1999. (In process, SA)

Hu Zhichuan. Zhongguo jiuying lu: Zhongguo zaoqi sheying zuopin xuan, 1840-1919 中國舊影錄:中國早期攝影作品選,1840-1919. Beijng: Zhongguo shying, 1999. (In process, SA)

Hwaejeon Museum. The Chinese Art Collection of the Hahn Cultural Foundation. Seoul, 2000. (Ordered, SA)

Jiang Zhaohe. Jiang Zhaohe lun yishu 蔣兆和論藝術. Beijing: renmei, 2002. (Ordered, SA)

Knapp, Bettina L. Images of Chinese Women: A Westerner’s View. Whitson Publisher, 1992. (In process, SA)

Lee Huishu. Exquisite Moments: West Lake & Southern Song Art. New York: China Institute Gallery, 2001. (In process, SA)

Lee, Sherman. Chinese Landscape Painting. Second Edition. N.Y.: Harper & Row, 1994.

________ and Wai-kam Ho. Chinese Art Under the Mongols: the Yuan Dynasty, 1279-1368. Cleveland: Cleveland Museum of Art, 1968. (N7340.L495, Gest/SA)

Li Yi. Zhongguo gudai meishu piping shigang 中國古代美術批評史綱. Harbin: Heilongjiang meishu, 2000. (7485. C6. L52 Gest, in process, SA)

________. Yuanren huafeng 元人畫風. Chongqing: Chongqing chubanse, 1997. (In process, SA)

Li, Chu-tsing 李鑄晉. Artists and Patrons: Some Social and Economic Aspects of Chinese Paintings. Lawrence: University of Kansas, 1989. (ND1043.4.A7 1989, SA/Gest)

________ and Wan Qingli. Zhongguo xiandai hui hua shi: Ming and Qing (1368-1912), Minguo (1912-1949), Dangdai(1950-2000). Taipei: Shitou, 1998, 2001, 2002. (In process, SA)

________and James Cahill. The Chinese Scholar’s Studio: Artistic Life in the Late Ming Period: An Exhibition from the Shanghai Museum. New York: Asia Society Galleries, 1987. (N7343.5.C48q, SA)

________. The Autumn Colors on the Chiao and Hua Mountains: A Landscape by Chao Mengfu. Ascona: Artibus Asiae, 1965. (ND1049.C37 L49 1965q, SA)

________. A Thousand Peaks and Myriad Ravines: Chinese Paintings in the Charles A Drenowatz Collection. Ascona: Artibus Asiae, 1974, 2 vols. (ND1043.L61q, SA)

________. Trend in Modern Chinese Painting: the C. A. Drenowatz Collection. Ascona: Artibus Asiae Publishers, 1979. (ND1045.L46q, SA)

Li Fushun 李福順. Zhongguo meishu shi 中國美術史(2 vols). Shenyang: Liaoning meishu, 2001. (In process, SA)

Liaodai fushi 遼代服飾. Shenyang: Liaoning huabao, 2002. (Ordered, SA)

Liaodai huihua yu bihua 遼代繪畫與壁畫. Shenyang: Liaoning huabao, 2002. (Ordered, SA)

Liu Qijun. Zhongguo lidai huapai xinlun 中國歷代畫派新論. Taibei: Yishujia, 2001. (In process, SA)

Liscomb, Kathlyn. Learning From Mt. Hua: A Chinese Physician's Illustrated Travel Record and Painting Theory. Cambridge University Press, 1993. (ND1049.W1678 L572 1993, SA)

Little, Stephen. Taoism and the Arts of China. Chicago: Art Institute of Chicago, 2000. (N8199.T3 L58 2000q, SA)

Lu Fengshi. Kaoguxue lilun, fangfa, jishu 考古學理論,方法和技術. Beijng: Wenwu, 2002. (Ordered, SA)

Lu  Fusheng. Zhongguo wenrenhua tongjian 中國文人畫通鑑. Shijiazhuang: Hebei meishu, 2002. (In process, SA)

Lu Jiaheng. Zhongguo hua kuanti leibian 中國畫款題類編. Beijing: renmei, 2002. (In process, SA)

Mair, Victor. Painting and Performance: Chinese Picture Recitation and Its Indian Genesis. Honolulu: University of Hawaii Press, 1997. (PL2365.M35 1988, Gest/Annex)

McCausland, Shane and Wen C. Fang. First Masterpiece of Chinese Painting: the Admonitions Scroll. New York: George Braziller, 2003. (In process, SA)

Meishu kaoguxue daolun 美術考古學導論. Jinan: Shangdong daxue, 2002. (In process, SA)

Moss, Paul. Between Heaven and Earth: Secular and Divine Figural Images in Chinese Paintings and Objects. Ten Speek Press, 1988. (Ordered, SA)

Murck, Christian. Artists and Traditions: Uses of the Past in Chinese Culture. Princeton: Princeton University Press, 1976. (ND1040. A6p, Gest/SA)

Ni Peimin and Stephen Rowe. Wandering: Brush and Dpen in Philosophical Reflection. Beijing: Dongfang, 2002. (In process, SA)

Osvald, Siren. Chinese Painting: Leading Masters and Principles. New York: Ronald Press, 1956-58, 7 vols. (ND1040.S62, SA)

Priest, Alan. The Portraits of the Court of China. New York: The Metropolitan Museum of Art, 1942. (Ordered, SA)

Qinhan huihuashi 秦漢繪畫史. Beijing: renmin meishu, 2002. (Ordered, SA)

Randall, Christopher. The Brush and the Stone: the Dr. Dean Edell Collection of Chinese Art. Hong Kong: Art Media Resources, Ltd., 1998. (Ordered, SA)

Rawson, Jessica and Anne Farrer. The British Museum Book of Chinese Art. London: British Museum, 1993. (N7340. B64, Annex/SA)

Ruan Pu. Huaxia cungzhen 華夏存珍. Shanghai: Shanghai shuhuashe, 1998. (Ordered, SA)

Shanxi gudai bihua 山西古代壁畫. Xi’an: Sanqing, 2003. (Ordered, SA)

Shanxi lishi  bowuguan. Tangmu bihua zhenpin xuancui Zhang Huai taizi mu bihua 唐墓壁畫珍品選萃:張懷太子墓壁畫. Beijing: Wenwu, 2002. (Ordered, SA)

________. Tangmu bihua zhenpin xuancuiYide taizi mu bihua 唐墓壁畫珍品選萃:懿德太子墓壁畫. Beijing: Wenwu, 2002. (Ordered, SA)

Silbergeld, Jerome. Mind Landscape: the Paintings of C. C. WANG. Seattle: Washington: Washington University, Henry Art Gallery, 1987. (ND1049. W125 S54q, SA)

________. China into Film: Frames of Reference in Contemporary Chinese Cinema. London: Reaktion Books, 1999. (PN1993.5.C4 S54 1999, SA)

________. Contradictions: Artistic Life, the Socialist Sate, and the Chinese Painter Li Huasheng. Seattle: University of Washington Press, 1993. (ND1049.L58 S525 1993, SA)

________. "Chinese Painting Studies in the West: A State-of-the-field Article." In Journal of Asian Studies, vol. 46, no. 4 (1987): 849-897.

________. Chinese Painting Style: Media, Methods, and Principles of Form. Seattle: University of Washington Press, 1982. (ND1040. S6, SA)

Shan Guoqiang 單國強. Gushuhuashi lunji 古書畫史論集. Beijing: Zijingcheng, 2002. (In process, SA)

________. Mingdai huihuashi 明代繪畫史. Beijing: renmei, 2000. (In process, SA)

Shi Lianxiu 施聯秀. Jingguo qizhen: Shanxi Jinhou muqun chutu wenwu jinpin 晉國奇珍:陝西晉侯墓群出土文物精品. Shanghai: Shanghai renmei, 2002. (In process, SA)

Smith, Judith G. Issues of Authenticity in Chinese Art: Papers Prepared for an International Symposium Orgainized by the Metropolitan Museum of Art in Conjunction with the Exhibition "The Artist as Collector: Masterpieces of Chinese Painting from the C.C. Wang Family Collection. New York: Metropolitan Museum of Art, 1999. (ND1043. I87 1999, SA)

Solman, Paul and Fong Wen. Ancient Treasures: Imperial Art of China. Princeton: Films for the Humanities and Sciences, 1999.

Spiro, Audrey. Contemplating the Ancients: Aesthetic and Social Issues in Early Chinese Portraiture. Berkeley: University of California Press, 1990. (N7591. C5 S65, SA)

Sullivan, Michael. The Arts of China. Revised edition. Berkeley: University of California Press, 1977. (N7340. S962 1997, SA)

________. Meeting of Eastern and Western Art. Berkeley: University of California Press, 1989. (N7429. S93 1989, SA)

________. Chinese Landscape Painting. Vol. 2. The Sui and T'ang Dynasties. Berkeley: University of California Press, 1980.

________. Art and Artists of 20th Century. Berkeley: University of California Press, 1996. (N7345. S79 1996q, SA)

Tang mu bihua lunwenji 唐墓壁畫論文集. Xi’an: Sanqing, 2002. (Ordered, SA)

Tao Yongbai. Shiluo de lishi: Zhongguo nuxing huihua shi 失落的歷史:中國女性繪畫史. Changsha: Hunan meishu, 2000. (In process, SA)

Tokyo National Museum of Fine Arts and Music. Gandhara and Silk Road Arts: the Hirayama Collection. Tokyo:  2000. (In process, SA)

Traditional and Contemporary Painting in China : A Report of the Visit of the Chinese Painting Delegation to the People’s Republic of China. Washington, D.C.: National Academy of Sciences, 1980. (ND1040.C48a, SA)

Tregear, Mary. Chinese Art. New York: Thames and Hudson, 1997. (B7340.T73 1997, SA).

Tsang Kabo. More than Keeping Cool: Chinese Fan and Fan Paintings. Toranto:         2002. (Ordered, SA)

Vainker, Shelagh J. Modern Chinese Landscape Painting: The Reyes Collection in the Ashmolean Museum Oxford. Ashmolean: Ashmolean Museum, 1997.

Wang Bomin 王伯敏. Dunhuang bihua shanshui yanjiu 敦煌壁畫山水研究. Hangzhou: Zhejiang renmei, 2000. (In process, SA)

Wei Jin Nanbeichao huihuashi   魏晉南北朝繪畫史. Beijing: renmei, 2002. (Ordered, SA)

Wen yu hua/Qu yu hua 文與畫/曲與畫(4 vols). Shanghai: Shanghai cishu, 2001. (Ordered, SA)

Weidner, Marsha ed. Flowering in the Shadows: Women in the History of Chinese and Japanese Painting. Honolulu: University of Hawaii Press, 1990.(ND1040. F58 1990, SA)

________. Latter Days of the Law: Image of Chinese Buddhism, 850-1850. Lawrence and Honolulu: University of Hawaii Press, 1994. (N8193. C6 L38 1994a, SA)

________. Painting and Patronage at the Mongol Court of China, 1260-1368. Berkeley: University of California, 1983. (ND1043.4.W44, SA)

________. View From Jade Terrace: ChineseWomen Artists, 1300-1912. Indianaplalis and New York: Rizzoli, 1988. (ND1040, V52q, SA)

White, Julia M. Masterworks of Chinese Painting: in Pursuit of Mists and Clouds. Berkeley: University of California Berkeley Art Museum, 2002.

Whitfield, Roderick. In Pursuit of Antiquity: Chinese Paintings of the Ming and Ch'ing Dynasties from the Collection of Mr. and Mrs. Earl Morse. Princeton: Princeton University Press, 1969. (ND1043. W59, SA)

________. Fasination of Nature: Plants and Insect in Chinese Painting and Ceramics of the Yuan Dynasty (1279-1368). Seoul: Yekyong Publications, 1993. (ND1049.H7904 W4 1993q, SA)

_________. Art of Central Asia: The Stein Collection in the British Museum. Talyer & New York: Harper and Row, 1982-1985, 3 vols. (N7291. B74q, SA)

________. Cave Temples of Dunhuang: Art and History on the Silk Road. London: J. Paul Getty Trust, 2000. (N8193.C6 W4783 2000, SA)

________. Exploring Chinese Past: New Discoveries and Studies in Archaeology and Art. London: Saffrom, 1999. (In process, SA)

Wu Hong 巫鴻. Han Tang zhijian de zongjiao yishu yu kaogu漢唐之間的宗教藝術與考古. Beijing: Wenwu, 2000.

________. Variations of Ink: A Dialogue with Zhang Yanyuan. New York: Chambers Fine Art, 2002.

________. Han Tang zhijian wenhua yishu de hudong yu jiaorong 漢唐之間文化藝術與互動與交融. Beijing: Wenwu, 2001.

________. Exhibiting Experienmental Art in China. Chicago: David and Alfred Smart Museum of Art, The University of Chicago, 2000. (In process, SA)

_________. Transience: Chinese Experimental Art at the End of the Twentieth Century. Chicago: The University of Chicago, 1999. (N7345. W82 1999, SA)

________. The Double Screen: Medium and Representation in Chinese Painting. Chicago: University of Chicago Press, 1996. (ND1040. W89 1996, SA)

________. Monumenatality in Early Chinese Art and Architecure. Stanford: Stanford University Press, 1995. (N7343.2. W8 1995, SA)

________. The Wu Liang Shrine: the Ideology of Early Chinese Pictorial Art. Stanford: Stanford University Press, 1989. (NB1280. W77 1989, SA)

________. Chinese Art at the Crossroads: Between Past & Future, Between East & West. Chicago: Art Media Co., 2002. (Ordered, SA)

Wu, Marshal P. S. The Orchid Pavilion Gathering: Chinese Painting from the University of Michigan Museum of Art. Washington: University of Washington Press, 2000. (ND1040. W825 2000q, SA)

Wu Zhenfeng 吳振峰. Kaogu wenxuan 考古文選. Bejing: Kexue, 2002. (Ordered, SA)

Xu Bangda. Xu Bangda lun gushuhua huiji: gushuhua jianding gailun 徐邦達論古書畫匯集:古書畫鑑定概論. Shanghai: Shanghai shuhua, 2000. (Ordered, SA)

Xu Shucheng. Zhongguo huihua yishu shi 中國繪畫藝術史. Beijing: Renmei, 2001. (Ordered, SA)

Xue Yongnian 薛永年. Qingdai huihua shi 清代繪畫史. Beijing: renmei, 2002. (Ordered, SA)

Yang Renkai 楊仁愷. Zhongguo shuhua 中國書畫. Shanghai: Shanghai guji, 2002. (In process, SA)

Yu Feian. Chinese Painting Colors: Studies of Their Preparation and Application in Traditional and Modern Times. Seattle: University of Washington Press, 1988. (ND1510. Y813 1988, SA)

Yuan, Tungli. The T. L. Yuan Bibliography of Western Writings on Chinese Art and Archaeology. Mansell, 1975. (Z5961. C5Y9 1975 Gest/SA)

Yuan Yougen 袁有根. Wu Daozi yanjiu 吳道子研究. Beijing: renmei, 2003. (Ordered, SA)

Zhang Anzhi. Zhang Anzhi meishu yanjiu wenji 張安之美術研究文集. Beijing: renmei, 1999. (Ordered, SA)

Zhang Guanyin. Zhongguo renwu huashi 中國人物畫史. Beijing: wenhua yishu, 2002. (Ordered, SA)

Zhang Hongxiang. The Qianlong Emperor: Treasures from the Forbidden City. Edingburgh: Scotland Publishing, 2002. (Ordered, SA)

Zhang Pengchuan 張朋川and Zhang Jing 張晶. Cihui nishang: Minguo zaoqi shizhuang renwuhua ciqi 磁繪.霓裳:民國早期時裝人物畫瓷器 Beijng: Wenwu, 2002. (Ordered, SA)

Zhang Yan. Ming Qing mingren zhongguo hu tiba 明清名人中國畫題跋. Xi’an” Shanxi meishu, 2000. (Ordered, SA)

Zhang Zhengmin 張正民. Changjiang liuyu gudai meishu: huihua yu diaoke 長江流域古代美術:繪畫與雕刻. Changsha: Hebei jiaoyu, 2002. (Ordered, SA)

Zhao Qingquan and Karin Albert. Penjing: Worlds of Woderment, A Journey Exploring an Ancient Chinese Art and Its History, Cultural Background and Aesthetics. Venus Communications LIC., 1997. (In process, SA)

Zhang Xiaoling. Zhongguo dangdai meishu xianxiang piping wencong 中國當代美術現象批評文叢. Changchun: Jilin renmei, 1999.

Zhou Shifen 周時奮. Xu Wei huazhuan 徐渭畫傳. Jinan: Shandong huabao, 2003. (Ordered, SA)

Zhongguo gudai xiaoshuo banhua jicheng 中國古代小說版畫集成 8 vols. Beijing: Hanyu dacidian, 2002. (Ordered, SA)

Zhongguo huapai yanjiu congshu 中國畫派研究叢書(15 vols). Helongjiang: Jilin meishu, 2003. (Ordered, SA)

Zhongguo shinian baida kaogu xinfaxian 中國十年百大考古新發現 (2 vols). Beijing: wenwu, 2002. (In process, SA)

 

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